Brett Eichenberger is an award-winning filmmaker with over twenty-five years of experience working in the film and video production industry. His work includes the feature films Light of Mine and Pretty Broken, commercials, short films, music videos, and documentary shorts. Brett’s work has been featured on A&E, Discovery Channel, ABC Australia, PBS, as well as other prominent international networks.

Brett began his work in film and video in Portland, Oregon. This led him to Los Angeles and opportunities with Fox, Universal Studios, and Miramax. Brett’s talent eventually brought him to Washington, DC, where he produced and edited documentaries and public service announcements broadcast in Iraq during Operation Iraqi Freedom. Subsequent filmmaking assignments have taken him to Pakistan to document the earthquake devastation of 2005, and to Egypt for the U.S. Department of Defense to produce a short film for the Pan-Arab community.

Filmmaking has taken Brett around the world, but he feels most at home in the outdoors of the Pacific Northwest. As a native Oregonian, Brett’s been intrigued by Bigfoot since his childhood years, and his documentaries, A Flash of Beauty: Bigfoot Revealed and A Flash of Beauty: Paranormal Bigfoot, have given him the opportunity to explore the topic in depth.

Gustav first moved to Portland from the Bay Area to study German and International Affairs at Lewis and Clark College, where he was immediately seduced by radio. He has spent the past 25+ years on the air in Portland, sharing his love for all things music and entertainment. He’s been voted “best of Portland” multiple times by Willamette Week readers, played mixed dance music sets in clubs around town, including Waterfront Park, and has volunteered for numerous years with UCP Oregon as well as his son’s school district.

We had a beautiful conversation about his on-air time at KNRK during the attacks of 9/11, trying to share some sense of positivity with the community, and how much his love for music means to be able to share with those around him. His legacy is intact, providing joy and positive vibes to all around him, and the fortune cookie opened for his episode said it all:

 

Joel Franklin Kinney born 1967 child of the Vietnam War. Guitarist and vocals for the Salem OR band JFK. High energy and big production band representing the hard FM rock of the 70’s, 80’s and 90’s.

Picked up the acoustic guitar in 5th grade learning Gordon Lightfoot, John Denver and Jim Croce songs. Grew up on all the classics, Elton John, Billy Joel, Queen etc. when in 1978 found a record in older sister’s record collection of a little known band named… Van Halen. It was all over after that point. It was all “Big Rock” from that point forward. 1981 was my first concert. Van Halen “Fair Warning” tour at the Coliseum in Portland June 9th. That point forward I was going to be a Rock star, trading in my football cleats for a microphone and a PA system. Never a natural guitarist, my focus was on vocals and being the front man performer. It was always about the show. Iron Maiden, Judas Priest, Saxon, UFO, MSG, Scorpions were the many flavors of those years .

Fronted a couple Salem and Portland bands all through High School and after. Left for Hollywood in fall of 86 only to return a year later, starving, broke and dejected. Joined a circuit band for a year learning how to pace myself 6 nights a week playing top rock hits of the day traveling the west coast. Decided to get serious about guitar once and for all, and started my own three piece thing doing originals ala Kings X meets Black Crowes called Thunderjelly. Had a couple of our CD’s chart in the NW and open for David Lee Roth, Yingwie Malmsteen, Pat Travers and Foghat at various Roseland Shows mid to late 90’s.

2000 I was absolutely burned out and completely quit music when I opened my company and store Apex Pro Audio. At a friend’s urging reformed Thunderjelly for a friends 40th bday seven years later and JFK was born. Got some great shows once again opening for Pat Travers and Randy Hansen, would have Kelly Lemieux from Gold Finger/Buckcherry join when he was on break, had Deen Castronovo for about six months on break from Journey and it all took off again. Now it’s a monster that won’t stop. It’s all about the Show.

Brad began playing bass guitar after watching a friend playing bass guitar in the junior high school band. He loved how the low end of the sound drove the whole thing along. When he moved to high school, he began playing and was soon in a band named “Misty Island Evil”.

In 1986, he joined the band Jet Red. Jet Red was a popular Central Valley band led by Willie Hines and included Billy Carmassi (drums) and Johnny Feikert (guitar). Jet Red produced its debut album in 1989. The album was well received but Relativity Records did not provide the proper marketing and tour support thus dooming the release. Various demo recordings were made for the follow-up album in 1991. This material was eventually released in 2010 with the album entitled “Flight Plan”.

In July 2010, he was contacted by Y&T as they had learned that original bassist Phil Kennemore was diagnosed with lung cancer and unable to tour. In less than 24 hours, he learned the setlist and was on a plane to Wisconsin to play the next day. Upon Kennemore’s passing in 2011, he was asked to become a full time member of Y&T.

In 2016, Brad left Y&T amicably due to personal reasons, soon after joining Bobby Blotzer’s Ratt. This version of Ratt was derailed by a series of lawsuits. Several opportunies lay ahead for Brad, playing with Dennis DeYoung in 2018 and 2019 when his bass player was unable to perform, and jumping in last minute to play with Foreigner when Jeff Pilson needed a sub in 2024.

He joined Doug Aldrich’s Burning Rain in 2019 to record the album “Face The Music” and tour, performed in a Christmas Holiday musical experience named Luminare in 2021, and in 2022, he was asked to join the BulletBoys, where he’s currently touring internationally.

Brought in part by Five Star Guitars.

Kelly Keagy takes us inside his home, sharing stories of musical inspiration, his drumming influences, making of an iconic classic platinum record and more. We get up close and personal in Kelly’s gorgeous home, check out his drum kit, record awards and fond reflections of what got him to this point.

Channel members will have access to the exclusive hang at Kelly’s place. Subscribe and Join now!

Paul F. Antonelli is an award-winning music supervisor, composer and associate director with extensive experience in all facets of music production. Winner of six Emmy Awards and nominated for seventeen more, Paul is currently working on NBC’s Days Of Our Lives and Open Book Productions’ Venice The Series and Beacon Hill. Working between Los Angeles and New York, Paul has supervised music for the soap operas The Young and the Restless (CBS), Hollywood Heights (Nick At Night), As the World Turns (CBS), Passions (NBC), Sunset Beach (NBC), All My Children (ABC), General Hospital (ABC) and Santa Barbara (NBC).

Paul grew up in Boston and studied music at the University of San Diego and UCLA. He worked as the head DJ at the legendary Rainbow Bar & Grill on the Sunset Strip before joining ABC-TV as the studio’s music coordinator. He helped choose music for a variety of shows in production at the time including The Academy Awards®, The American Music Awards, Good Morning America, Eye on LA and General Hospital.

While working at ABC, Paul became the keyboardist and founding member of the 1980s synthpop band, Animotion, which had evolved out of his previous band, Red Zone. Animotion would experience mainstream success with their top-ten hit single, “Obsession.”

After leaving Animotion in the mid-80s, he played with the gothic horror band Radio Werewolf and later appeared with them in the 1988 film Mortuary Academy. Around this time, he began composing music for various films. He has worked as a composer along with co-composer RC Cates on 3 Chains o’ Gold and The Beautiful Experience for the artist formerly and currently known as Prince and Speed Zone!, The Princess Academy, Dead On: Relentless II, China O’Brien II, China O’Brien, Out of the Dark and The Women’s Club which were co-composed with David Wheatley.

Paul is a member of ATAS (Academy of Television Arts & Sciences), NARAS (National Academy of Recording Arts & Sciences), DGA (Directors Guild of America), GMS (Guild Of Music Supervisors), The SCL (Society of Composers and Lyricists), ASCAP (American Society of Composers and Publishers) and the AFM (American Federation of Musicians).

Check out the amazing properties we chatted about in Sedona HERE!

Craig Carothers lived in Portland before it was hip and moved to Nashville before it was ready for prime time. He’s always been a little ahead of the curve and an old school kind of cool. His music is heartbreakingly beautiful and scathingly funny, delivered with a lively deadpan smile and a voice that’s downright swoony.

Too folk for rock, too pop for folk, too jazz for country, too tall to be a jockey. It’s difficult to easily categorize his music without the use of hyphens. But the wide-ranging influences of Craig’s music-teacher parents can be heard in each of his more than 20 albums.

He’s a songwriter’s songwriter, sharing co-writes with Bruce Hornsby, Marty Stewart, Don Henry, Maia Sharp, and Don Schlitz, to name a few. He’s had songs recorded by Trisha Yearwood, Kathy Mattea, Lorrie Morgan, Russell Hitchcock, and Peter, Paul and Mary, as well as numerous international artists whose names are unspellable.

As a touring musician and a regular at the Bluebird Cafe in Nashville, Craig has shared a stage with the likes of Richard Thompson, Janis Ian, Donovan, David Wilcox, John Gorka, Patty Larkin, Gretchen Peters, Catie Curtis, Greg Brown, Shawn Mullins, Patty Larkin, Michael McDonald, and Kim Richey.

When not traveling to hundreds of shows each year, Craig shares his songwriting expertise as a professor at University of Miami, and through online and in-person songwriting workshops across the U.S. and Europe.

A true Renaissance man, Craig is also a producer, recording engineer, background singer, booking agent, graphic designer, photographer, Tex-Mex connoisseur, left-wing inactivist, and a collector of exquisitely obsolete gadgets.

His many recordings are available at live shows and via the website, as well as Amazon, iTunes, Spotify, Pandora, CDbaby, and all other digital streaming providers.

 

Successful bands forge their defining moments from a rare mix of electric audience response, killer songs, and memorable stage performance. While the result is enough to keep any band on stage all night, the ability to sustain that dynamic beyond its gig of origin is what sets an average band apart from an outstanding one.

DFiVE9 had its defining moment on a special night opening for a major metal act in Chico, California, in 2001. Taking the darkened stage in unfamiliar territory, the band captured a crowd anxious to move on to the headliner. As the last note died away above the heads of the cheering crowd, each member looked at one another through their sweat and exhaustion, and knew that the dominion they held over their new-found fans was the beginning of something special. The band has been hard at work recreating that defining moment ever since.

The story of DFiVE9 begins with Montana natives Michael Krum (guitar) and Will Casey (drums) relocating to Portland, Oregon in 1993, where they led a former band through countless weeknight club gigs and eventually clawed their way onto weekend bills while winning over rockers throughout the Rose City. Before the band had time to relish the view from it’s ledge near the top of Portland’s hard rock heap, however, personal and family issues prevented their bass player and vocalist from making the total commitment to artistic success that the band’s potential demanded.

Undaunted, Krum and Casey recruited a number of potential replacements from other Portland acts, eventually tabbing vocalist Nic Yannariello and bassist Michael ‘YMike’ Yatabe in June of 2000. Gifted and dedicated artists in their own right, both new members of what would become DFiVE9 welcomed the opportunity to join a band for whom anything less than national exposure was unacceptable.

Since their inception, DFiVE9’s music fueled an ongoing groundswell of interest at the grass-roots level and beyond. The band was sponsored by Jaegermeister and PMC Guitars.

We look back at a Pacific Northwest band full of fire and fury that took the region by storm before moving onward to new paths. Catch up with Nic, Will, Mike and YMike as we get deep inside DFive9!

You may not know it, but you’ve heard Mike’s work. For the last 20-plus years he’s been a regular on the Los Angeles and Portland, Oregon recording scene, bringing his special talents to hundreds of records, film, and television soundtracks. In addition to every Mel Brooks movie from Spaceballs to Robin Hood: Men in Tights, his playing may be heard on many popular, syndicated television shows, including Home Improvement, Dinosaurs, and The Little Mermaid. His recording work now focuses mainly on jingles, record projects, library music, music for industrial video, and lots of drum & percussion loops.

Look for his “Focus on Tech” column an feature articles in DRUM! Magazine.

When you think of extreme, wild, out of this world entertainers, The Enigma stands out as the leader of his art form. He is an historic legend in body modification, circus sideshow, and tattooing, and leads the pack in that “do it yourself” renassaince-style. As a refined talent of over 20 years in the business you can see that he continues to amaze and inspire. The Enigma’s cult status and huge following will grow organically over the years as he constantly gives to the art world.