Trying to pin down Stephanie Schneiderman to any one genre, talent or discipline is next to impossible. One thing is clear however- whether pursuing her prolific work as a solo artist, playing drums for all star roots pop act Swan Sovereign (Dirty Martini), producing, acting, or giving back, Schneiderman is hands down one of the most diverse and hardest working artists the NW has to offer.

As singer-songwriter, her solo career began with a coveted spot in the Lilith Fair. From there, she went on to receive extensive NW radio play, tour internationally, and earn music placements in numerous films and primetime TV shows, including Felicity, Vampire Diaries and many more. She has played with some of the nation’s top touring acts- from Aimee Mann to Hall & Oates, Heart, and Train- and enjoyed ongoing success with popular NW all-female groups Dirty Martini and Swan Sovereign. She has stepped on stage in the musical The Full Monty, appeared in major television commercials and films, and even produced the soundtrack for 3 popular children’s DVD’s (Oy Baby and That Baby) selling more than 75,000 combined units.

Above all her accolades as an artist, Schneiderman has a keen passion for activism. She organized Portland’s first humanitarian concert series, Voices for Silent Disasters, which raised $70,000 for Mercy Corps in northern Uganda, and is currently penning a musical that raises awareness about human trafficking.

Schneiderman has eight solo recordings under her belt – Stephanie Schneiderman (1999), Unbelievably Unbroken (2001), Fall Sessions EP (2001), Touch Down (2004), Live at Kung Fu Bakery (2005), Dangerous Fruit (2008), Rubber Teardrop (2011) and Live at The Old Church (2013), plus four releases with her collaborative bands Dirty Martini- Dirty Martini (2004), Tea and Revenge (2007) and Swan Sovereign – Arctic (2014) and Valentine (2017).

Later in 2021, she will release her ninth solo album, Crossfire. The new recording combines her past sonic explorations—folk, Americana, trip hop, and pop—into a beautifully dark and deeply introspective recording that is as fresh as it is compelling. Funded by pre-purchases and house concerts, Crossfire is a self-released labor of love that celebrates her community and newfound artistic freedom as producer, and will be enjoyed by anyone looking to sit down with a timeless and great record.

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